Casino du mole

casino du mole

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Sharon Hoppe is at Mole Lake Casino. Tracy Doug and I here for prime rib supper. Here for the Seafood Buffet and to win some money.

Here for steak supper and to play slots for awhile. Here for our Friday night buffet. Mike Toman checked in to Mole Lake Casino. Aubrey Wolfe is feeling entertained at Mole Lake Casino.

Kate Persha is at Mole Lake Casino. John Lakso was at Mole Lake Casino. Nathan Gordon was at Mole Lake Casino. Another fun night with my love!!

Leslie Spanbauer checked in to Mole Lake Casino. Yup, this place sucks too! Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into.

It's roughly a gradual road to destruction for everyone involved. The film is unusual in many ways. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro.

The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means.

It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.

One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening. He employs a lot of fast cuts while presenting very stylized, documentary-like footage.

The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.

This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.

This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours.

That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.

While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile.

It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot.

A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better.

Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas. The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such.

The soundtrack is probably meant to match. But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.

That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City.

So I can understand the motivation, but I'm not sure the final result exactly worked. Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods.

The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be.

For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it.

Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning.

It tends to make it feel even more stretched out, as you keep anticipating that scene. But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.

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Learn more More Like This. Once Upon a Time in America Full Metal Jacket Lee Ermey, Vincent D'Onofrio. Lock, Stock and Two Smoking Barrels Edit Cast Cast overview, first billed only: Sam 'Ace' Rothstein Sharon Stone Ginger McKenna Joe Pesci Nicky Santoro James Woods

Casino du mole -

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Casino Du Mole Video

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Here for steak supper and to play slots for awhile. Here for our Friday night buffet. Mike Toman checked in to Mole Lake Casino. Aubrey Wolfe is feeling entertained at Mole Lake Casino.

Kate Persha is at Mole Lake Casino. John Lakso was at Mole Lake Casino. Nathan Gordon was at Mole Lake Casino. Another fun night with my love!!

Leslie Spanbauer checked in to Mole Lake Casino. Yup, this place sucks too! Or maybe it's just me! Mark Wilson checked in to Mole Lake Casino.

Jeffrey Wright shares how he began working with veterans, and the healing power of art. A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.

In Miami in , a determined Cuban immigrant takes over a drug cartel and succumbs to greed. The life of boxer Jake LaMotta , as the violence and temper that leads him to the top in the ring destroys his life outside of it.

A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.

After a simple jewelry heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant.

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

As corruption grows in s LA, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.

Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.

A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.

An undercover cop and a mole in the police attempt to identify each other while infiltrating an Irish gang in South Boston. This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one.

Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world.

Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 's and '80's are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals.

However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.

Casino is a very good film. I certainly enjoyed the film. But I don't think that Casino is at all a "perfect" film. An 8 out of 10 may seem high, but if you're familiar with my reviews, you'll know that it's not that high of a score from me--it's closer to average from me.

There are plenty of flaws here, and I'm going to spend some time pointing them out, particularly since the film receives so many 10's.

The hotel became the Tangiers for the film. The mob backs Rothstein but has to set up a false front while Rothstein "secretly" runs the hotel, because of his gambling charges back East.

Meanwhile, mob strong-arm Nicky Santoro Pesci heads out to Vegas to protect Rothstein, but eventually ends up running his own rackets and trying to effectively take over the town.

Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into.

It's roughly a gradual road to destruction for everyone involved. The film is unusual in many ways. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro.

The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means.

It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery.

For at least the first 15 minutes, there is barely a pause in the narrational dialogue. One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening.

If so, please try restarting your browser. Debbie Wendt is at Mole Lake Casino. Fun at the hotel! Debbie Wendt added 2 new videos — feeling entertained at Mole Lake Casino.

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